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The Pennebaker color suite is where a lot of my documentary and preservation work happens. It’s a smaller suite with fewer bells and whistles so it works nicely for clients who are on a budget. There is a nice comfortable couch where up to two clients can sit comfortably for supervised sessions.

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The Fellini color suite is where I often color grade commercials and feature films. This suite has all of the state-of-the-art equipment, an assistant editor workstation, and a many plush seating options. I can accommodate up to six people at a time in this space not counting myself and an assistant editor. This suite has a 65” OLED display as well as professional 2.1 monitors for a cinematic experience.

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This is my transfer lab. I calibrate, maintain, and operate my own boutique transfer service for customers who are looking for a high-quality digitizing lab for their film archive. I carefully prepare, document, and transfer your analog and digital tape library for posterity. I am IASA trained and compliant with liability insurance and a secure facility. Although I do not have every tape format machine that was ever made, I have good relationships with several labs in NYC for the esoteric and ancient format. Below is a list of formats I can digitize in my lab:

  1. Betacam SP - NTSC, PAL

  2. U-Matic NTSC, PAL, SECAM

  3. DVCAM - NTSC

  4. HDV - NTSC

  5. MiniDV - NTSC

  6. VHS - NTSC, PAL

  7. SVHS - NTSC, PAL

  8. 8mm - Various