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Zachary Halberd

  • Color Grading & Restoration
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Skillshare Course - 3,968 Students and Counting!

July 21, 2022

I co-created and co-hosted a Skillshare course with documentary filmmaker Danya Abt called How to Make a Character Documentary. We wrote the scripts, lesson plans, and supported our students in their coursework. This project was a ton of work but a great introduction to creating and teaching an online course with a diverse set of instructions on how to create a film from scratch. I loved making the course and I plan on creating and hosting more in the near future.

← RALPH LAUREN VIRTUAL RUNWAYLenny Cooke - A VFX Experiment in Time Travel →

Latest Posts

Featured
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May 12, 2024
Documentary Finishing Workflow Demystified
May 12, 2024
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May 12, 2024
Using AI Models to Colorize Monochromatic Archival
September 30, 2022
Using AI Models to Colorize Monochromatic Archival
September 30, 2022
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September 30, 2022
Archival Restoration - Experimenting with Python Using VapourSynth + Resolve
October 25, 2021
Archival Restoration - Experimenting with Python Using VapourSynth + Resolve
October 25, 2021

Take a peak under the hood of my process to restore a heavily compressed archival film using the open source Python script-based image processing tool Vapoursynth.

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October 25, 2021
Qualitative Camera Test v2 - Summer 2021
October 25, 2021
Qualitative Camera Test v2 - Summer 2021
October 25, 2021

I convinced ten cinematographers to bring their cinema cameras to a qualitative camera test. Here are the results.

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October 25, 2021
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July 3, 2021
Premiere to Resolve and Back Again - A Remote Workflow Guide
July 3, 2021

For the love of God, please stop using shuttle drives. Just use the Resolve media manager to shrink ray your Premiere timeline down to a tiny portable file and send to your colorist!!! In this article, I show you how!

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July 3, 2021
VapourSynth Installation for Python 3.6.8
June 14, 2021
VapourSynth Installation for Python 3.6.8
June 14, 2021

My ongoing experiments with incorporating the Python-based image processing software, VapourSynth, into my color management and restoration pipeline has resulted in compiling a stable package which Windows users may use for further experimentation.

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June 14, 2021
Deconvolutional Upscaling for Legacy Media
February 9, 2021
Deconvolutional Upscaling for Legacy Media
February 9, 2021

MCM Creative in NYC reached out to Magic Lantern and asked if it was possible to clean up and upscale his feature doc Shelter Island prior to an Amazon streaming distribution sale. Unfortunately, the original media was no longer available and the master had already gone through various unknown encodes.

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February 9, 2021
Superior Deinterlacing and Upscaling With Machine Learning
February 2, 2021
Superior Deinterlacing and Upscaling With Machine Learning
February 2, 2021

Typically, filmmakers use the deinterlacing tool provided for free within their NLE or Davinci Resolve. This article will demonstrate why this approach can be destructive to the image and will offer a better alternative.

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February 2, 2021
Rendering With JPEG Compression(ism)
January 28, 2021
Rendering With JPEG Compression(ism)
January 28, 2021

A collection of photos taken with a cell phone at full magnification yields interesting results. Although the discrete cosine transform compression still has a significant effect in the image, by magnifying the image in camera prior to the encode, these images take on a hybrid of pixilation and compression decimation. There is also a slight halation ghosting around the higher contrast edges which get encoded into a pleasant glow.

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January 28, 2021
Color and the Physiological Response - A Colorist's Exploration
January 28, 2021
Color and the Physiological Response - A Colorist's Exploration
January 28, 2021

Colors, generally speaking, are instinctively associated with emotions. Working as a colorist and having to manipulate color everyday – I feel that most directors and cinematographers intuitively ask for specific colors to enhance specific emotions on special scenes without even realizing it. Here is a little help on how to actually use color in film making to activate – or not – a physical reaction in your audience.

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January 28, 2021